We're Good Together

Nice photographs by Sandra Freij.
The assorted lighting in André Wolff’s portraits is beautiful.
The illustrations of Sac Magique are made of pure awesome.
This Helvetica notebook is cool. Don’t mind this Red Helvetica Moleskine either, a steal at only $198!…
This Helvetica notebook is cool. Don’t mind this Red Helvetica Moleskine either, a steal at only $198!…
Thought on desire lines (via Build).

A desire line (or desire path) is a path developed by erosion caused by animal or human footfall. The path usually represents the shortest or most easily navigated route between an origin and destination. Why do we feel the need to get everywhere as quickly as possible?

Thought on desire lines (via Build).

desire line (or desire path) is a path developed by erosion caused by animal or human footfall. The path usually represents the shortest or most easily navigated route between an origin and destination. Why do we feel the need to get everywhere as quickly as possible?
Humans by Mike Mills.
Peter Baker takes some beautiful photographs.
Peter Baker takes some beautiful photographs.

Die.

Actually, I will end up going back to university. But first I’ll work on my portfolio, travel and will apply somewhere overseas. Education aside, making great contacts and meeting people in the industry is important to me, so that made up part of my decision.

Accomplished photographer Richard Misrach’s series ‘On The Beach’ is beautifully executed and pulls on threads from so many other unrelated works I’ve seen, in particular a series shot for Missoni by Steven Meisel. Misrach explains:

The photographs that appear in On the Beach were made between January 2002 and November 2005. My thinking was influenced by the events of 9/11, as well as by the 1950s Cold War novel and film, On the Beach. I was drawn to the fragility and grace of the human figure in the landscape. For me, the work is both a celebration of our survival and an elegy. Paradise has become an uneasy dwelling place; the sublime sea frames our vulnerability, the precarious nature of life itself.

Accomplished photographer Richard Misrach’s series ‘On The Beach’ is beautifully executed and pulls on threads from so many other unrelated works I’ve seen, in particular a series shot for Missoni by Steven Meisel. Misrach explains:

The photographs that appear in On the Beach were made between January 2002 and November 2005. My thinking was influenced by the events of 9/11, as well as by the 1950s Cold War novel and film, On the Beach. I was drawn to the fragility and grace of the human figure in the landscape. For me, the work is both a celebration of our survival and an elegy. Paradise has become an uneasy dwelling place; the sublime sea frames our vulnerability, the precarious nature of life itself.

We’ve created a system that rewards work that is increasingly unknown to anyone outside the business. We have become connoisseurs of esoterica. And in the process, we’re becoming more about us, and less about changing the world.
We are becoming irrelevant award-chasers.

http://adage.com/cannes09/article?article_id=137525 - Jeff Goodby (Note to self: don’t become an irrelevant award-chaser)

‘Playing Sim City For Real’. A spread in the New York Times Magazine by Jeffrey Docherty. Talented fellow.
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